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‘Touch’ Review: Baltasar Kormákur’s Melancholy Lost-Love Story Is Familiar But Charming

On the surface, Touch seems to be a sudden change of pace for Icelandic director Baltasar Kormákur, a quiet and polished film-of-the-book (in this case, the novel of the same name by fellow countryman Ólafur Jóhann Ólafsson) that could easily pass for a BBC presentation. It does, however, square with his action-thriller output, being the […]

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