To loosely paraphrase David Fincher, the mind of screenwriter Aaron Sorkin works in a rapid-fire bursts of multi-tiered levels, as if the author is juggling three contemporaneous conversations to your one, sometimes listening, always five moves ahead of where you are, but able to ping pong effortlessly between all subjects. And whether that’s an accurate depiction of how Apple groundbreaker Steve Jobs’ mind operated or not, it’s how Sorkin decides to portray the tyrannical computer pioneer in Universal’s thrilling drama, “Steve Jobs.”
A deliriously quick-footed and orchestrally pitched character study, “Steve Jobs” is an ambitious, deeply captivating portrait of the high cost of genius. The Danny Boyle-directed “Steve Jobs” is a dazzling showcase of the brilliant multi-layered and rat-a-tat delivery of screenwriter Aaron Sorkin. And for all its dimensions of a iconoclastic, trailblazing thinker and digital revolutionary, “Steve Jobs” is also a movie about fatherhood, absentee...
