The Home Front

In May, 2011, Attorney General Eric Holder invited several cast members from the HBO series “The Wire” to Washington, D.C., to help promote a Justice Department initiative called the Drug Endangered Children’s Task Force. “The Wire,” which aired for five seasons and was acclaimed for its nuanced portrayal of the war on drugs, was a favorite of both Holder and President Obama. Holder jokingly ordered the show’s creators, David Simon and Ed Burns, to produce a sixth season. “I have a lot of power,” he said. “The Attorney General’s kind remarks are noted and appreciated,” Simon told a reporter. “We are prepared to go to work on Season 6 of ‘The Wire’ if the Department of Justice is equally ready to reconsider and address its continuing prosecution of our misguided, destructive, and dehumanizing drug prohibition.” Fans groaned in despair: the improbable sixth season now seemed to hinge on something even less likely, an end to the war on drugs. But the exchange was significant for reasons beyond its implications for HBO’s programming. Although the catastrophic consequences of that war are widely acknowledged, there is less clarity about what ending it would entail.